Friday, May 31, 2019
Maggies Ozymandias Essay -- Analysis, Percy Shelley
In developing an insightful central theme, Percy Shelley avails of two potent literary tools, imagery and irony, to jolt readers with a striking epiphany. Imagery for one, navigates the audience to what is truly emphasized in the meter literary art as opposed to physical, plastic art. It also serves to characterize a key figure in the poemOzymandiaswhom is ascribed as having cold, arrogant, and pretentious qualities. The speaker juxtaposes the words inscribed on the pedestal with the image of dilapidated monuments and the bare limitless sands which surround it. When these two vivid descriptions contrast, the visual imagery, through this juxtaposition, actually buttresses situational irony. In fact, situational irony dominates and governs the readers very impression of the former pharaoh at the conclusion of the poem worn down and disintegrated, Ozymandias monument portrays an image of wreckage and unimportance whereas, the poem itself portrays an image, which withstanding time, h as successfully attempted what Ozymandias himself desired everlasting fame and a lasting legacy. By using imagery and irony, Shelley conveys the idea that poetical verses, linguistic expressions, and literary legacies discoverlast those of monumental and architectural form.Interestingly enough, Shelley employs the phrase antique land (1) to start out the diction in this instance highlights the setting, and our perspective of time, for antiquity denotes the belonging to the past and not being modern. The style in which the poem is rendered is reminiscent of a family tales recital since we are told the story through an obscure traveller and the reader is naturally drawn into the mysticism and mystery. However, in this way, Shelley distances the audie... ...initely. So the wreckage which remained exactly survived the sands of time. So in this way, the reader perceives that a legacy through a mere monument is a legacy which fades.So what is left of Ozymandias? The poem itselfand fu rther, the poem actually slights at the very heart of the former kings desired legacy. We see that, in fact, how easily the Pharaoh, whom monuments had at a time been built for and who once ruled a great empire, is easily thwarted in the readers mind by linguistic expressions, by delicate subtle phrases, and by literary persuasion. Shelleys work perpetuates through the years to remind many of Ozymandias. On the other hand, we also see that the endurance of physical art, monumental designs, and sculptures as a medium of legacy is inferior to that of the mighty, powerful literary weapons Shelley wields from his arsenal of ink and parchment.
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